In addition to the ability to add slight analog hum, the compressor’s sidechain can also be filtered slightly. Waves has, however, added a couple cool touches. Pipe in your vocal track, ride the Gain Reduction knob, then bring it back with the Output Gain. There isn’t much else to say – it’s a very convincing replication of the original. There are a number of LA-2A emulations out there, but the Waves CLA-2A is the only high-end Native plugin.
In short, it may be close to the perfect compressor. It’s utter simplicity makes it impossible to over-tweak. Its smooth character is almost invisible even when pushed to the limit. The stalwart optical compressor has been the go-to for vocals since it launched in the early 60s. If you had to pick only one vocal compressor, you’d find few people who didn’t choose the Teletronix LA-2A. Try this on your mix buss, and marvel at the combination of speed, natural response, and vibe it imparts onto your mix. Add in the best parallel compression knob we’ve used, and you’ve got a winner. A Decadence switch further increases the quality, but beware: it’s very CPU intensive. A big contributor to this is the Impetus knob, which allows you to dial in harmonic distortion during compression. You might think such digital wizardry would sound cold or harsh, but The Rocket shines with vintage mojo. Stillwell Audio’s The Rocket has been engineered with an advanced read-ahead and sample analysis algorithm to identify (and squash) signals after 20 microseconds! To date we’ve never experienced a faster compressor. Then sometimes there are compressors that manage to have their vintage vibe while displaying speed that even most digital compressors can’t touch. Use it when you’re ready to shock it with the paddles until it wakes up screaming. But don’t use it when you want to breathe new life into a sound. Like overdrive in a jet, these buttons add noise and harmonics to an already wonderfully dirty signal path.ĭon’t let the simplicity fool you, this is a workhorse. It’s simple beauty that’s made even better when you engage the Fierce and Noise buttons. In order: how hard, how fast, how filtered. Much like the ubiquitous Sausage Fattener, Sonalksis’ dream compressor smashes and pulls sounds straight forward. Über Compressor has been engineered to ride far past the normal limit and still thrive. If you want to smash, bash, and crash your sound into utter oblivion while still maintaining its character and quality, look no further. H-Comp also supports external sidechains for sync to key equipment. While this function isn’t always necessary, sometimes it’s the key to transparent dance compression. Engaging this function forces the compressor to release in sync with your track. There’s also a Wet/Dry control for easy parallel compression.įor EDM producers, the BPM release sync can be a lifesaver. Nothing new, but the pairing with analog style is extremely smooth and effective. The Punch knob allows the initial peaks of a signal to avoid being compressed. In addition to being able to control the style of analog fluctuation, the H-Comp has two powerful controls: Punch and BPM Sync. Waves’ H-Comp solves this problem by adding some decidedly modern features to a compressor modeled on transistors and tubes. They’re useful for their purpose, but not always versatile. The bummer about most “vintage” compressor plugins is also their best part – they’re modeled after real vintage compressors.
#Cytomic the glue for mastering electronic pro#
Don’t be afraid to utilize these, recent updates to the Logic Pro and Ableton Live core compressors make them excellent choices for basic dynamics control usage. Note: Pretty much every DAW comes with its own stock compressor plugin. Squash, smash, and perfect the levels of every signal with these tools, and share any others you love in the comments! Dance Music Northwest has done a great deal of the leg work for you! We’ve hand-picked 6 of the most essential compressor plugins available today. There are a staggering number of choices for compressor plugins available today. It is, however, just as crucial to great EDM mixes. It can be tempting to think that in EDM, with all it’s mechanical parts, you wouldn’t need compressors. But at the end, compression is one thing above all else: essential.
0 kommentar(er)
